Monday, August 25, 2008

Art Direction: Jeremy Cranford

I have been a fan of Irene Gallo's thumbnail interview feature for a while, previously of her blog and now of Tor.com . So I have decided to turn the tables and and ask my art director friends to answer some questions.

Jeremy Cranford
Two time art director of Magic: The Gathering, WoW TCG, and now Creative Director at Upperdeck Entertainment



1:What education/experience do you feel has best prepared/served you for your job as an Art Director?

As far back as I can remember, I have always loved art. Even today I get really excited by great art. I'm not sure where that came from but this passion has given me the drive to succeed in this industry. However, I knew my passion would only take me so far. It was my college degree in graphic design that allowed me to be taken seriously by corporations and get hired. My degree made me legitimate and opened some of my first doors.

2:What was your first job in the art field?

I was a graphic design intern at TMP Worldwide and I was in charge of the small black and white newspaper ads. My second job was at U.S. West Cellular doing graphic and layout. (I was allowed to choose from two colors: U.S. West PMS dark blue, PMS light blue plus black)

Working as a graphic designer at Wizards of the Coast was my third job. This position was the break I needed that allowed me to break into the gaming industry.

3:What project, that you have worked on, are you most proud of?

It would be the Ravnica preview animation I art directed for Magic: the Gathering. It was the first time we were able to take the world and characters my team designed for the cards and bring it all to life. There were a lot of people who were against it, but I kept pushing and I ended up being really proud of the end product given the time and budget constraints. http://www.wizards.com/default.asp?x=mtgcom/arcana/897

(Bonus points for anyone who can recognize the actor who did the voice over.)

4: What is your dream job/project?

I'd love to be an art director or concept artist for a large animation company like Pixar.

5:Where do you see yourself in ten years?

I really have no idea. I always try to just live in the moment.

6:On a scale of 1 to 10, how much does an illustrator having a degree matter to you?

Zero. It is all about their talent and the work they produce. However, there are many corporate jobs that will not look at your resume unless you have a degree. H.R. departments live to check boxes.

7:You meet an illustrator at a convention, what do you look for in the person, as well as the portfolio?

I want them to know what my job is as an art director and what sort of work I'm looking for. I want them not to argue with me and most of all, I want to see a portfolio that is amazing and original.

8:How/where do you meet/hire most of the illustrators you work with?

Most of the illustrators I work with have come from referrals. I look at their websites, and if I like what I seem I’ll give them a call.

There are only a few artists I have started working with after seeing their portfolios at Comic Con or their work in Spectrum.

9:If you could give one piece of advice to aspiring Art Directors and/or illustrators what would it be?

Find out what makes you happy and do that. You must also have the trust and patience that doing what makes you happy will lead you where it is suppose too. Also, make sure you try to do the things that you're afraid of but really would like to give a try. I know many people who've gone back to school and started a second career in the middle of their life and ended up in a much better place.

10:What is your favorite cartoon?
I remember LOVING "Scooby Doo", "Tom and Jerry" and all the Warner Brothers stuff as a kid. I think my parents used cartoons as my baby sitter. I also remember really getting into "Star Blazers." I think this was the first Japanese animation I liked. This cartoon came on early in the morning before school around 7 A.M. and I would always wake up to make sure I didn’t miss an episode before catching the bus. One of my other favorites later on was "He-Man, Masters of the Universe.” I would always look forward to watching this cartoon after school right at 4:00 P.M. Isn't it funny that I can still remember the time slots after all these years?

Friday, August 22, 2008

My Three Dwarves

Over the last few years I have been asked to paint an assortment of dwarves, it brings me great pleasure to rate myself based on how well I paint a dwarf.

sometimes they give them names

"Chipper Ironbane"


"Ol' Stonewall"


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Drawings and Demos (August)

Here is an assortment of drawings and 25 minute demonstrations from class











Tuesday, August 19, 2008

Greatest Show on Earth (August)

Steampunk gallery show in the Hamptons

I saw this on Irene Gallo's blog and thought it looked really cool

Tuesday, July 15, 2008

Comic-Con schedule

For anyone who is interested here is my schedule for Comic-Con

Fri July 25th
Room 30CDE: Dynamic Drawing: Demonstration from Life 2:00-3:30

Sat July 26th
Watts Atelier Booth
5361 & 5362 Demo: Illustration demo 10:30-1:30

Sun July 27th:
Upperdeck Booth: Signing at the from 3:00-4:00

Thursday, July 10, 2008

Greatest Show on Earth (July)

Okay not technically an art show perhaps, but there is a lot of art there and it is definitely a "great" show

I will be exhibiting at the Watts Atelier booth # 5361
San Diego Comic-Con

Sketch Redux part 2

Here is the sketch I did for a cover awhile back


and here are the comments made by the art director

I like the perspective, and how Ivy looks. I do think she could be a bit more buff though, since she is a fighter. I'll also make sure that wisp of hair we're seeing off to the right is a braid. I LOVE how we get to see the action both above and below the water line. I'm not getting much of a sense of danger though. The water looks too shallow and calm. The text describes the water as only waist deep, which I think is part of the problem; it's too shallow to invoke a risk of drowning. I'd like to see the water deeper and more turbulent, but that conflicts with the written text. What do you think? I think I'd rather see Ivy struggling more against the grate, with the hand looming down at her, rather than Ivy reaching towards it. *We* know that it is her comrade reaching to help her, but we don't need to give that away on the cover. Let's let the reader think that hand is another element of danger until they actually come to this scene in the book. Also, Suzzura's hand needs to look less human and more half-orc.

Story telling wise I thought this was a great idea. In this case a revised sketch wasn't necessary, I just implemented the changes in the final

Monday, June 16, 2008

Microvisions going live



The auctions have been set up.
They will go live on today at 6pm PST, starting with Daren..
This will give the West Coasters a chance to get home before the bidding ends on June 23rd.
They will then end alphabetically every 3 minutes.
This gives people a chance to bid on new items if they missed the previous.

I have links, but since the auction is not yet live, I fear the links will be bad.
So instead, here are the item #'s:
BADER: 230261925172
CHAN: 230261925684
GIST: 230261926167
JUSKO: 230261926516
KLEIN: 230261926724
LOCKWOOD: 230261927148
ORBIK: 230261927358
SHIMIZU: 230261927680
TAN: 230261927850
WEBER: 230261928066

Or... you can just search for "MICROVISIONS 3"

Wednesday, June 11, 2008

Microvisions step x step

Here is a step x step of my Microvisions piece.

Tuesday, June 10, 2008

Microvisions Update

Dan Dos Santos has been kind enough to put up a preview page for the Microvisions auction. Click here for all the details

Monday, June 9, 2008

Sketch Redux part 1

Here is a recent illustration I did for Magic: The Gathering
My AD requested I redo my initial sketch for the following story related reasons
"Okay, we’re losing the merfolk-in-training gag. He just looks like hes being attacked and or injured. That’s not the idea. He’s like a runner who trains with weighhts on his legs, then they come off and he’s ready to kick ass.
Make sense?"


This made a lot of sense to me so I went with the weight lifting metaphor, and came up with this



And the final image

Wednesday, June 4, 2008

Microvisions

In your journeys through life it isn't often you feel honored to give something or do something for free. You may feel a sense of fulfillment or charity, but certainly not honor. It is with this in mind that I thank Irene Gallo and Dan Dos Santos for inviting me to participate in this years Microvisions auction, I am immensely honored.

this years artist's are

Daren Bader
Jason Chan
Erik Gist
Joe Jusko
Nic Klein
Todd Lockwood
Glen Orbik
Yuko Shimizu
Shaun Tan
Sam Weber


It is easy to see why I feel honored